Related papers
A. M. Morelli, Catull. 23 and Martial. An Epigrammatic Model and its ‘Refraction’ throughout Martial’s libri, in F. Bessone, M. Fucecchi (a cura di), The Literary Genres in the Flavian Age. Canons, Transformations, Reception, Berlin-Boston 2017, pp. 117-135;
Alfredo Mario Morelli
Catull. 23 is a special case in the history of relationships between Martial and his favorite epigrammatic auctor, Catullus. The poem is a well-appreciated one by Martial: he frequently alludes to it by reproducing single features or poetic iuncturae, if not its overall framing. Through his whole career of epigrammatic poet (starting from 1, 92), Martial follows suggestions, imagery, and vocabulary he has himself gradually built up and consolidated by alluding to Catull. 23: this set of features is superimposed on the original Catullan model and seems to do almost single body with it (see 12, 32).
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William J. Dominik, John Garthwaite and Paul Roche, ‘Writing Imperial Politics: The Context’, in W. J. Dominik, J. Garthwaite and P. Roche (eds), Writing Politics in Imperial Rome (Leiden/Boston: E. J. Brill 2009) 1–21.
William J Dominik, Paul A. Roche
Vergil is seminal for any discussion of the political in imperial literature. William Dominik’s chapter on Vergil examines the concept of “geopolitics,” which he refers to generally as constituting the relationship between political and geographical features of the text. Maintaining that “green politics” function as an essential component of the Vergilian narrative, Dominik asserts that political events frequently are treated in terms of the physical world in which they occur. The focus upon the natural environment reveals its vulnerability to the politico-military and urban worlds and the sympathy of the narrator for the environment and its denizens. The conflict that arises in all three poems is attributable to the attempts of man to establish hegemony over the landscape. Through a holistic and intertextual reading of the “book” of Vergil—the Eclogues, Georgics, and the Aeneid—a picture of the natural world emerges in which the “forces of history” and the poet’s sympathetic response to the victims of Rome’s imperial past are emphasized over the “political teleology” of the individual poems.
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Dedication in Classical Antiquity
Harm-Jan van Dam
Bossuyt, I. & N. Gabriels & D. Sacré & D. Verbeke (Eds.), ”Cui dono lepidum novum libellum?” Dedicating Latin works and motets in the sixteenth century (Leuven Univ. Press, Supplementa Humanistica Lovaniensia XXIII 2008), 13-32, 2008
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Dialogues Between Genres. The Self-Awareness of Flavian Literature
Cecilia Criado
Exemplaria Classica, 2019
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Gabriel Laguna-Mariscal
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The publication of Pliny's Letters - 2015
John Bodel
in I. Marchesi, ed., Pliny the Book-Maker: Betting on Posterity (Oxford Univ. Press: Oxford 2015) 13-108.
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Carole E. Newlands, Kyle Gervais and William J. Dominik, ‘Reading Statius’, in W. J. Dominik, C. E. Newlands and K. Gervais (eds), Brill’s Companion to Statius (Leiden/Boston: E. J. Brill 2015) 3-27.
William J Dominik
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William J. Dominik, ‘Rome Then and Now: Linking Together the Saguntum and Cannae Episodes in Silius Italicus’ Punica’, in R. R. Nauta, H-J. van Dam and J. J. L Smolenaars (eds), Flavian Poetry (Leiden/Boston: E. J. Brill 2006) 113–127.
William J Dominik
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The Silvae: Poetics of Impromptu and Cultural Consumption, in W.J. Dominik – C.E. Newlands – K. Gervais (edd.), Brill’s Companion to Statius, Leiden-Boston 2015, pp. 54-72
Gianpiero Rosati
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William J. Dominik, ‘Vergil’s Geopolitics’, in W. J. Dominik, J. Garthwaite and P. Roche (eds), Writing Politics in Imperial Rome (Leiden/Boston: E. J. Brill 2009) 111–132.
William J Dominik
William Dominik’s chapter on Vergil examines the concept of "geopolitics," which he refers to generally as constituting the relationship between political and geographical features of the text. Maintaining that “green politics” function as an essential component of the Vergilian narrative, Dominik asserts that political events frequently are treated in terms of the physical world in which they occur. The focus upon the natural environment reveals its vulnerability to the politico-military and urban worlds and the sympathy of the narrator for the environment and its denizens. The conflict that arises in all three poems is attributable to the attempts of man to establish hegemony over the landscape. Through a holistic and intertextual reading of the “book” of Vergil—the Eclogues, Georgics, and the Aeneid—a picture of the natural world emerges in which the “forces of history” and the poet’s sympathetic response to the victims of Rome’s imperial past are emphasized over the “political teleology” of the individual poems.
View PDFchevron_right